Opinion

44 posts

Words of Witness | Review

How many of you exercise your right to vote?  How would you feel if this right were taken away; perhaps you would be relieved because you always thought that there weren’t really any great candidates anyway? You may be devastated that you now no longer have a choice to make even though you didn’t necessarily choose to do anything about it? You may even possibly think that a single voice, your voice doesn’t make a difference?  One thing is for sure however, in the free world, we DO have a right to vote for those who we wish to be governed by and watching Mai Iskander’s latest and first-rate documentary “Words of Witness” will certainly make you feel this way.

Not so long ago, people in Egypt had no choice except to vote for one candidate and for all intents and purposes they were ruled by a dictator.  For decades, people neither had the right to free elections nor were allowed to vote for any other candidates other than Hosni Mubarak.  Inspired by the uprising in Tunisia in the spring of 2011, protests in Egypt began on 25 January and ran for 18 days.  Despite the government’s best efforts to curtail these protests, the people prevailed and finally on 10 February, Mubarak ceded all presidential power to Vice President Omar Suleiman.

Overthrowing a dictator took Egyptians from all walks of life—many of them in their twenties and thirties to come together and social media such as Facebook and Twitter were powerful tools in allowing them to gather to call for universal human rights such as dignity and freedom.  “Words of Witness” tells the powerful and touching story of 22 year old Heba Afify, a newly minted passionate and driven journalist at the English edition of Almasry Alyoum, Egypt’s leading independent newspaper.

Iskander manages to expertly merge Heba negotiating the boundaries of her life with her sympathetic – yet overprotective – mother whilst all around her the boundaries of her country are shifting both societally and politically.  “I know you are a journalist, but you’re still a girl!” Heba’s mother reminds her every time she leaves the house.  We watch Heba take to the streets to report on an Egypt in turmoil, using tweets, texts and Facebook posts. “During the Revolution, all the rules were broken,” Heba exclaims.  “My mother needs to understand that the rules that were broken during the Revolution will remain broken”.

This is an effective documentary that takes us right into the heart of the action where change is occurring and shows us the heart of this amazing young and inspiring journalist who wants to make a change not only for her country but more importantly to the life that is expected of her by her family.  In speaking with the director, it is also clear that this story is not a million miles from her own, I think this is why the viewer is left with such a powerful and inspiring message of being the change you want to be

“Words of Witness” is currently playing in Los Angeles Laemmle Noho 7 week of 27 August 2012 but check local listings for other screenings.

Words of Witness Trailer

Kumare – a Film by Vikram Gandhi | Review

One could be forgiven for thinking that you are watching yet another Sacha Baron Cohen stunt on celluloid but, dare I say it, this is much better.  As part of a social experiment, filmmaker Vikram Gandhi dons an orange robe, grows a beard, and transforms himself from a Jersey boy into a wise Indian guru by the name of Kumare.  As Kumare, he then sets out to convince and indoctrinate a group of followers in the west that he is the real deal.  The aim? To challenge one of the most widely accepted taboos: that only a tiny “1%” can connect the rest of the world to a higher power. Concealing his true identity from everyone he meets, Kumare forges profound and spiritual connections with people from all walks of life.  At the same time, in the absurdity of living as an entirely different person, Vikram is forced to confront difficult questions about his own identity.

Gandhi manages to create an engaging documentary that holds a mirror up to his own questions about religion and beliefs and shines the reflection on the unenlightened.  This starts off comical and cliché making us laugh at the directionless new agers but quickly transforms into something deeper as he takes us on a journey of transformation, his own, the people he touches and us the audience.

The story unfolds admirably rather like the message Kumare the great guru is developing as he goes along and has you sweating towards the end when at the height of his popularity he contemplates revealing his true identity to a core group of disciples who are knee-deep in personal transformation. Will they accept his final teaching? Will he be able to prove that no one really needs anyone else to make them feel better about themselves?

Kumare delivers on all counts.  It is educational, informative, funny and entertaining.

Kumare” opens in Los Angeles at The Cinefamily on Friday, July 26th and will have a full week run from August 3rd through August 9th.  In addition, it was voted the AUDIENCE AWARD WINNER – Documentary Feature: SXSW FILM FESTIVAL 2011

Rent-a-Cat / Rentaneko (レンタネコ) | Review

I am sure that not many of us look forward to flying these days (me included), the endless security, fluid confiscation shenanigans, shoes off, laptops out, strip-searches etc. can become all too tiresome especially when it feels like you spend less time in the air than at the airport.

In recent times, and especially on long haul flights, one of my favorite pastimes has become trying to seek out movies that I would not normally get a chance to watch or foreign language movies that have not (and may never) get a US release.

Fellow movie lovers, there are some hidden treasures buried in the back of the seat in front of you (and I am not just talking about what has fallen out of the pocket of the supersized passenger).  On a recent flight from Tokyo, I was lucky enough to catch just such a gem. “Rentaneko” or “Rent-a-cat” (written and directed by USC film school alumni Naoko Ogigami) is a beautiful movie about a young lady called Sayoko who rents out cats to help lonely people fill the emptiness in their hearts. She walks along the banks of the river with a megaphone promoting her service and her animals in a handcart.   This stars Mikako Ichikawa as Sayoko with support from Reiko Kusamura, Ken Mitsuishi, Maho Yamada and Kei Tanaka.

Japanese cinema can often be about extremes, yet in this gentle sweet dramedy, we are delighted, moved and often tickled in the same scene.  Much of this is down to some careful direction and elegant cinematography, and many of the scenes are so beautifully composed that they could be frozen to create photographs.

All of this beauty is augmented by a touching and genuine performance from Ichikawa.  Her human portrayal of a single thirty-something coming to terms with the death of her grandmother (whom she considered to be ‘her rock’) is poignant.  Added to this is her biggest goal in life – to get married.  On the surface there is an air of light heartedness and comedy throughout the movie and yet, when this is scratched, belies a depth that touches your heart and warms you to your central core.  The story meanders a little towards the end, but at those times, the kitty-cat action is more than enough to keep you glued to your screen.

This is a quirky engaging movie that will amuse and enchant everyone – and if you are a cat lover, this movie is a special treat.  Of course being the crazy cat lady that I am, the scenes or outtakes with all of the well-trained moggies were like icing on this near perfect cake.

Rentaneko has been shown at a number of international film festivals through 2012 including Sundance and Edinburgh.  Unfortunately it seems that your best chance of catching it right now is to fly ANA between Los Angeles and Tokyo.  My only hope is that enough people hear about this movie and it get the chance of at least a limited US release.

Official Home Page (Japanese only) – http://rentaneko.com

Patang (The Kite) – A Film by Prashant Bhargarva | Review

Prashant Bhargava is clearly a talented director and writer to be able to bring together both actors and non-actors in this mockumentary style movie which very cleverly blends old Indian outlooks with a fresh non Bollywood storyline

Like its namesake, the movie is light at heart and mostly about the thrill and joy of flying kites during India’s largest kite festival where every year a million kites fill the skies above Ahmedabad-dueling, soaring, tumbling and flying high.  Look a little further however and it makes you realize that this is not only a brilliant narrative about general attitudes in India but also about families, relationships and what we hold important in our lives.  My heart soared during the highs and beat with anxiety during the lows when much tension is created through great direction, good storytelling and a moving and powerful score

PATANG weaves together the stories of six people transformed by the energy of the festival but centers mainly around a successful Delhi businessman (Jayesh) who takes his daughter (Priya) on a surprise trip back to his childhood home for the festival.  Despite the fact that he is an expert kite flyer, he does not count on his visit causing the entire family to confront its own fractured past and fragile dreams.  Jayesh and Priya are definitely “city mice” who discover the pleasures and difficulties faced by their “country mice” family.  Indeed Priya quickly learns that a mild flirtation can quickly lead to something undesirable when she spots an expert kite flyer in a young local hero called Bobby

Clearly one of the stars of this film is the amazing child star who is as adorable and captivating to watch as the children in “Slumdog Millionaire”.  It is hard to believe then that this and the other children in the film are untrained actors who are improvising.  It is very easy to watch the beautiful relationship between a young boy Hamid and his older man- friend Chakku a loser who seems to be unable to relate to anyone else especially his adorable and god fearing mother Sudha who only sees the good in every situation

It is difficult to think that a film about kites can really be this exciting and enthralling to watch.  Stick with the sometimes difficult to watch patchwork quilt of the storyline and I promise you will not be disappointed.

PATANG (THE KITE) will open Los Angeles exclusively at the Laemmle Music Hall in Beverly Hills on July 20, 2012

In New York, PATANG THE KITE garnered a NY Times Critic Pick and is still playing in New York and Chicago – held over for another week.

The film will continue opening in approximately 18 cities across the US and Canada this summer.
http://vimeo.com/3240664

Warner Bros. movie apps. Is this the future of movie distribution?

Warner Bros today announced a couple of iPhone/iPad apps featuring two of my personal favorite movies in recent years.  The Dark Knight and Inception.  The apps purport to offer a more comprehensive movie experience than is possible on other platforms such as DVD or Blu-ray, including interactive games, exclusive soundtracks, trivia and other related content.

Each app relates to one movie and is available as a free download, although many of the features (including the full length movie) need to be unlocked through a $9.99 purchase.  I tested the Dark Knight app this evening and went through some of the freebies.  The experience was mixed with some interesting and reasonably immersive elements, including a fun trivia game with clips from the movie.  The app is not without a few glitches including reports of jittery streaming, although I did not experience this personally.

It’s frustrating to have purchased the Dark Knight on physical media and have to shell out another ten bucks to get the most out of the app.  A slightly lower price point might be more palatable, or at least a way of providing a discount to those who purchased the movie on DVD/Blu-ray.  I would also prefer not to have a single app per movie – my iPhone is already cluttered up with icons.

This isn’t going to work with every movie.  There’s a certain fanboy-ishness about this, as Warner seems to have tacitly acknowledged with the selection of the initial two movies, The Dark Knight and Inception. Furthermore, the appeal may not be universal given that this kind of thing lends itself more to the type of movie fan who just can’t get enough of a movie.  For example, I don’t see the King’s Speech having the same appeal as an app.

So, is this the way of the future?  Well, it’s hard to say.  While I applaud the effort of the studios in giving us yet another way to consume digital content, a lot of what is here could be done with a Blu-ray disc.  It would also be nice to be able to transfer a purchased movie to another device e.g. my computer or AppleTV to watch on the big screen.  In short, the argument needs to be much more compelling before I give up my current preference of DVD/Blu-ray/Digital Copy combo packs.

It’s an interesting experiment.  Expect to see more innovations as the studios look into different distribution models as well as opportunities to increase revenue potential from movie releases.

Will the Annie Awards winner be a good predictor of “Best Animation” for the Oscars?

Which one is best “Toy Story 3” vs. ‘How to train your dragon” has long been a sometimes heated debate amongst the moviewallas.  With two of the wallas adoring “Toy Story 3” and the other backing the “How to Train Your Dragon” train all the way to the Oscars.  Needless to say, this will be a hard fight to the end since both animations are extremely good.  Methinks this could turn into a replay of the “Big Mac vs. Whopper” debate of Ye Olde time (PS, who won that by the way?).

how to train your dragon

However at the 38th Annual Annie Awards held on Saturday, February 5 at UCLA’s Royce Hall a choice was made and DreamWorks Animation’s “How to Train Your Dragon” won top honors as the Best Animated Feature. Often a predictor of the annual Academy Award for Best Animated Feature, the Annie Awards honor overall excellence as well as individual achievement in a total of 25 categories ranging from best feature, production design, character animation and effects animation to storyboarding, video games, writing, music and voice acting.  (A complete list of the 38th Annual Annie Award winners can be viewed at www.annieawards.org.)

I decided to think of some of the merits of each of these terrific submissions to see if there was any way to separate the two:

Categories

Toy Story 3

How to Train your Dragon

Best Story

Winner

Most heart wrenching

Winner

Best rendition of a dragon that acts like a dog or Cat

Winner

Best story arc

Winner

Best ensemble cast EVER

Winner

The one that made me cry the most

Winner

The one that I would watch again and again

Winner

The one that I would watch if Toy Story 3 got worn out

Winner

So there you have it, both animations, both excellent and little to separate them.  Even in trying to rate the two against each other, I found the choice so difficult.  But remember, I loved “Toy Story 3” and sobbed uncontrollably at the end…for me I think what it comes down to was the familiarity and joy I felt seeing Woody, Buzz, Mr. Potato Head and the rest of the gang for the third time.  That intertwined with Pixar’s amazing talent to tell the story of a young boy all grown up and leaving home for the first time and the impact it has on all of those you leave behind.  Gosh, I’m tearing up just thinking about what a GREAT story this was as I write.  Whatever your preference, “Toy Story 3” or “How to Train your Dragon” what more could we ask for than two brilliant animations in one year that are both deserving of the title “Best animation”

Toy Story 3